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album

Any Time At All

Morphing reels to jigs, and vice-versa, is a fun game that we sometimes play on Tuesday evenings at John Stone’s. Here is how it works. We take a tune, any tune, and begin playing it in a different time signature. If it is a reel (2/4), we might play it as a jig (6/8) or as a slip jig (9/8). My buddy Brian Hebert is sort of the king of the morphs. In fact, he has just released a whole CD of Beatles morphs. On his new album, Any Time At All, he took classics like She Loves You and turned it into a slip jig, Penny Lane is now a hornpipe, and Strawberry Fields has been rendered as a waltz.
 
Any Time At All
 
Here is what the Liverpool Echo – yes the very same Liverpool that gave us the Beatles – had to say about Brian’s new album:

A SURPRISINGLY gutsy album of instrumental Beatles songs done in a raw and edgy Celtic folk style. Crammed full of wild bodrans, duelling mandolins, and skirling Irish pipes, reminding of Planxty, de Danaan and The Chieftains, with a taste of Bert Jansche’s Pentangle, it’s a radical reinvention of the great Lennon and McCartney songs that brings a whole new dimension to something we thought we already knew everything there was to know about.

Tonight I, along with Unstachio and our friend Joey Sullivan, backed Brian and a couple of his Beatles morphs for a local Television station. It was a good bit of fun and was a great opportunity to see how a TV show is produced first hand. It was also the first time I have ever performed for a TV show. Not quite Ed Sullivan, but cool nonetheless.

You can find out more about Brian and his CD on his website. Also, you can order a copy of his CD from cdbaby.

To whet your appetite I’ve included a track from his CD, which you may recognized as Please Please Me as a Jig.
 
Please Please Me Jig by baconworks

friend music

Christmas Wish

I was looking through some old files and found this recording from a session that Unstachio and I did a few months back. It was the same session that South Wind/Out on the Ocean came from.

The tune was written by George and is called the Christmas Wish.
 
Christmas Wish
 
I recall, at the time, that we both thought we could do better and decided to move on. Again, with the rosey glasses of time, I listen to this now and feel pretty good about it. The one real problem with the recording is that there is an unfortunate hum/buzz. I’m not sure how that happened and I did my best to reduce its impact on the overall quality.

It wouldn’t surprise me if George and I come back to this one again at some point, but for now here ya go.
 
Christmas Wish by baconworks

song

Thanksgiving Song

Here is a song we like to sing around the house at Thanksgiving time.

Thanksgiving Day is coming
And Mr. turkey said
how very careful I must be
or I will loose my head.

[chopping off of the head sound]

The pumpkin heard the turkey
I’m frightened to, oh my
With sugar and spice, and everything nice
I’ll be pumpkin pie.

 

 
Happy Thanksgiving

friend music

Country Roads

Country Road
 
Most people, these days, will not admit to being big fans of John Denver. I’ll admit it. Always have been. Ever since I was a child and my parents would throw that scratchy vinyl onto our gargantuan record player … you know the kind, where the speakers, turn table and radio dials are all built into a big honkn’ piece of furniture. It was big enough to make a good television stand as well.
 
stero cabinet
 
John Denver songs remind me of the innocence and beauty of childhood. It reminds me of a peaceful time in life where family is your only focus and you can’t ever imagine that when you grow life will present you with challenges. What is not to like about that?

While many will not freely admit they like John Denver, I have proof that most people actually do. I recorded this impromptu version of Country Roads Saturday evening at a friend’s house along with thirty other friends. We played lots of tunes and sang lots of songs. Irish tunes, sea chanties, classic rock, English ballads, drinking songs, songs about ale, songs about dog fat, songs about war, songs about trombones … but John Denver’s Country Roads is always the song people sing the loudest at parties. Always.

While the recording quality is not great I hear something wonderful in it. I hear friends. I hear family. I hear joy. And it brings me right back to being a child, playing in my living room with my family, my father trying to find the notes on his Goya while the record played. And I can only assume, when I listen to this, that the other players and singers have similar unspoken memories and feelings. The music brings them back, like a country road, to a peaceful and happy place, and in that space and time, it unites us. It completely transcends pop music and becomes folk music, which is really what music was meant to be in the first place.
 
Country Roads by baconworks

technology

Motion Charts

I was playing around with Google’s Motion Charts as a way to visualize the traffic that comes to baconworks.com. The chart below represents visits to baconworks by country over time. Each ball represents a country. When you click the play button the balls will begin to move showing you the visits per country per month, as well as page views and average time each country spent on the site. Also, you can hover over the balls as they are moving to see which country they represent.

As you can see, from the bouncing red ball, baconworks has not really caught on outside of the United States. Although you may notice a slight rise and fall from Switzerland during the month of August in ’07, which coincides with my trip to Basel. I guess if I want more foreign traffic I’m gonna have to start scheduling more European vacations.

new music

Fox in the Bramble

The Fox and the Bramble
 

A fox, closely pursued by a pack of dogs, took shelter under the covert of a Bramble. He rejoiced in this asylum; and for a while, was very happy; but soon found that if he attempted to stir, he was wounded by thorns and prickles on every side. However, making a virtue of necessity, he forbore to complain, and comforted himself with reflecting, that no bliss is perfect; that good and evil are mixed, and flow from the same fountain. These Briars, indeed, said he, will tear my skin a little, yet they keep off the Dogs. For the sake of the good, then, let me bear the evil with patience: each bitter has its sweet; and these Brambles, though they wound my flesh, preserve my life from danger.

I was digging through some old recordings and found this track. I recall that as I was practicing one evening this tune just sort of fell out of the mandolin. So, I slipped into my studio, if you can call it that, and put it down for posterity. I never really did much else with it.

Before posting it today I had to give it a name: Fox in the Bramble

What does a fox, a bramble, and the above fable have to do with this tune? Nothing really. I just like the word bramble and I thought the fable was a nice reminder that problems, viewed from another angle, aren’t really problems at all. Instead, they are the things that add dimension to our lives, build character, afford us opportunities, and at the end of the day, give us a good story to tell.

Good lessons for crazy times.
 
Fox in the Bramble by baconworks

album

Wind that Shakes the Barley

barley
 
During the Irish Rebellion of 1798 the rebels were often known to carry barley oats in their pockets as provisions while on march. Unfortunately, thousands of the dead rebels found their final resting place in mass unmarked graves, which were referred to as croppy holes.

As the seasons passed barley would be found growing above the croppy holes and came to symbolize the regenerative nature of Irish resistance to British rule.

In the nineteenth century the Irish poet, Robert Dwyer Joyce wrote a ballad entitled Wind that Shakes the Barley, which repeatedly references the barley as a young lad has to decide between the love of his lady or the love of his country.

As our last track on the 1999 Amadán album, Sarah Kennedy sang a A cappella version of this haunting song.
 
Wind That Shakes the Barley by baconworks

video

The Master

I was talkin’ to Luke today about the Planxty video below. Somewhere in our conversation, I was reminded of this video of Matt Molloy and Dónal Lunny. First, Matt Molloy is the master of all masters in the Irish flute world. However, in this video he is being closely watched by another flute master. Watch as the camera pans right around 1:08 and you realize that Matt is not just playing for any audience. In fact, he is playing for James Galway…who looks concerned that he may not be able to top Matt’s chops.

Alright, I promise, no more videos for awhile. I just couldn’t stand to have that IE6 post at the top of my blog for more than ten minutes.
 

hassle

Time to Trash IE6

trash IE6
 
We’ve been having lots of trouble with IE6 at work this week. What a hassle. Then, this evening I noticed that some of my videos on baconworks.com are not displaying properly in IE6. Unstachio, soon to be known as Restachio, had complained about this to me a few weeks back, but as a Firefox user, I wasn’t seeing the issue.

Now, I do not really want to spend my free time trying to prove that IE6 is the problem. But, if your running IE6, the same IE6 that was released seven years ago, I might recommend upgrading to something else. Anything.

Alright. Sorry for the diversion. Now back to our regularly scheduled program.

album

The Blacksmith

I heard The Blacksmith on the Celtic Sojourn the other morning. Man, what a cool song. It is an old classic by a band called Planxty. After hearing it on the radio I realized I did not own the Planxty album this was first heard on. Had to fix that problem right away.
 
Planxty
 
Here is a great video, probably from ’72 or ’73 of Planxty playing The Blacksmith. Though our modern ears have grown accustomed to the sounds that Planxty created, it is worth noting that nobody had really heard bouzouki in Celtic music until Andy and Donal came along. And those strange Eastern European melodies…forget about it.

Planxty:
Dónal Lunny on bouzouki
Andy Irvine on mandolin
Liam O’Flynn the uilleann pipes
Christy Moore on harmonium and bodhrán

In almost forty years no one has done it better. Check out the Balkan inspired weirdness at 3:24. Mighty.