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Sally McKnight: Call and Answer

Clam DiggerAs a child I spent many a summer day on the coast of Maine. More than a few of those youthful days were spent on the clam flats. While my father, who was perpetually hunched over pealing back the salty mud with a hoe, methodically filled a pair of hods with his finds, I scurried around the flats trying to find trouble. To an outsider the flats don’t look like much; Miles of nondescript mud, an occasional outcropping of seaweed covered rock and horse flies large enough to serve up with a badminton racquet. But, to a boy, it is a wonderland. Hand me one of them little red plastic buckets and a yellow shovel and I was off to the races.

If I was clever, I might catch some tiny fish schooling in the warm tidal pools. If I was lucky, I might find a horseshoe crab waiting for the sea to return. If I was creative I might collect the most beautiful shells you’d ever see come out of Sagadahoc Bay. And, if I was brave, I would make my way over to the seaweed covered rocks and confront some real danger.

crab It is well known that underneath the slippery green growth there are critters that are both feared and fetching to little boys. Dare to stick your fleshy little fingers into the thick tentacle like marine algae, lift it back and prepare to react, for you may reveal the pièce de résistance. Behold the Liocarcinus Vernalis, otherwise know as a vernal crab. Fierce little monsters equipped with their own amour and built-in weapons. I might as well have found gold.

I’ve learned through the years that the crab hunting gene is passed from generation to generation. My father hunted them as a boy and my five year old is already bolstering his courage in preparation for this summers journey to the flats.

Why am I telling this story? Well, one, because it holds fond memories for me. But that is not actually reason I wanted to share it. It struck me that finding good music is sometimes like traipsing through the mud, over to a promising pile of seaweed covered rocks and pealing back the layers to see what you can find. Most of the time you find more rocks and mud. But occasionally you find something that strikes you as magical like a crab or maybe something really special like a starfish.

starfishThis brings me to my actual point. A while back I wrote about a Hammered Dulcimer player that sang a beautiful song called The Call and the Answer. Her name is Sally McKnight. The moment I heard her sing I thought, ‘wow, people need to hear this’. Fortunately for all of us she agreed to do some recording and the other evening, as I was leaving the recording session at her home, it occurred to me that I’ve just peeled back some covering and found something really special.

No, Sally is not a crab in a pile of seaweed. Maybe it is not the best analogy. I am certain, however, that after listening to the way she harmonizes the dulcimer with her singing, hearing the crispness of her playing, and basking in the warmth in her voice you will agree that she is a star, and, I for one, am thrilled to show you what I’ve uncovered.

 

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Capo Magic

I just came across this nice set of tunes on YouTube. As a fretted instrument musician I have always struggled with removing the capo in the middle of a set of tunes as a result of an unexpected key change. This kid has a novel technique for dealing with the problem. Watch what he does with the capo about halfway through the video.
 

I would love to know what kind of capo he was using.

general

Some Pictures

Two pictures were sent along to me that I wanted to share. The first, taken by Karen Royce, is from last Friday’s show with Skip Healy. Skip is on the left, Roger in the middle and I on the right looking very relaxed. Check out all the old drums behind us. They were rattling all night long.
 

Skip and Friends

The second is an aerial shot of the amphitheater that I will be performing in later this summer with the Ancient Mariners.

 
Augusta Raurica

From the photo it appears that there is no fence or gate or anything preventing the local yokels from wandering down to the Roman playground and knockn’ back a few Warteck’s. Only in Europe.

friend music

Skip and Friends

I had a great time playing tunes with Skip Healy this weekend at a benefit concert for the Juniors Fife and Drum Camp. I was hoping to get a good recording hot off the soundboard, but for a variety of reasons was not able to set it up. Instead I had to settle with recording with a single room mic. This is far from a perfect recording but I think it captures the energy. I had to fade the track out because there was some serious feedback in the later part of the track.

The whole gig was lots of fun and well received. I had never performed with Skip before and, therefore, had no idea where any of it was going, which of course, adds to the excitement. In addition, Skip’s style is to play the tune reasonably straight the first time through, but then begin to use the tune as a skeletal structure and move around it. Sometimes it can get way out there, which is really cool. This track stays relatively close to home but you will here some of the improvisational nature toward the end of the track.

In addition to Skip on flute, Mark Bachand on bodhran and myself on guitar, we invited Roger Hunnewell up to play some additional bodhran. Roger starts the track with a bodhran solo, unsure of where Skip will come in. You will hear rattling behind some of the first beats that Roger plays. The rattling is from the twenty, or so, rope tension snare drums sitting behind us on the stage. They were sympathetically playing along. Also, every so often you’ll here Skip pause for a note and call out a key change. Nothing like having a plan.

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Concert with Skip Healy

Skip
 
I’m excited to announce that I will be performing this Friday evening with a phenomenal flute player named Skip Healy. Skip is a world class musician who has performed with a variety of legendary musicians such as Paddy Keenan, John Doyle, Kevin Burke and Johnny Cunningham, to name just a few. Skip is also an instrument maker who is turning out some beautiful fifes and flutes at his Healy Flute & Fife Company.

The performance is a benefit concert for The Juniors Fife & Drum Camp at the Company of Fifers and Drummers Hall, 62 North Main St., Ivoryton, CT. There is $10 admissions charge. The concert is on Friday, June 8th and starts at 7:00 PM.

tunes-i-like

Breakfast at Rudy’s

Rudys
Here is a set of tunes that the Mariners are expecting to play in Switzerland this summer. I put together this recording as a reference track for them.

The title comes from our St. Patrick’s Day tradition of cooking breakfast in the parking lot outside of Rudy’s in New Haven before the parade. Good times.

I learned both of the tunes off a Kevin Crawford album called In Good Company.
 
In Good Company

He actually plays them in different sets on the album. The first is called The First Pint. I believe the second is called Mouse in the Mug.

I don’t own a bodhran so the percussion in the second tune is me tapping the back of my guitar.

tunes-i-like

The Roaring Bar Maid

I was going through my files and found this rough cut that I recorded a month or two ago. I learned this tune from Lunasa’s Otherworld album.
 
otherworld

Incidentally, this 1999 album was one of Green Linnet’s fasted selling albums. Also, on their web site you can listen to the track. They happen to call the tune the Butlers of Glen Avenue but I prefer the title The Roaring Bar Maid.

In any case, I don’t have any real plans for recording a more polished version of this tune. I was just experimenting with the guitar and trying to get it to sound decent with my recording equipment. I just happened to use this tune for the experiment.

tunes-i-like

I’ll Mend Your Pots and Kettles ‘O

snare
 
O.k., a new high def TV and a vacation have stolen me away from blogging in the last two weeks. I know, I know. Lame. The upside is that I have been productive in the Pigtown Fling Studio (the new name I’m giving to my studio space). I have been working on a march called I’ll Mend Your Pots and Kettles ‘O. I learned this tune from the playing of Jimmy Marshall, an accordion player from Worcester, MA, though originally from Ireland. Jimmy and his brother Eamon, who often plays at John Stone’s, have both been playing the accordion since they were children. They are close in age and Eamon is retired, so I suspect they have been playing for fifty-plus years apiece. They are both great and a wealth of tunes.

I started playing this tune on the guitar about a year ago. I always envisioned a nice harmony part to it. In this recording I experimented with using the penny whistle as a melody and using the flute for second and third voice harmonies. I rewrote the arrangement several times before I was happy. In addition, I recorded it three different times in the last two weeks. I have had a lot of fun with both the arrangement and experimenting with how to get a good recording of my guitar. Where I am at with this version is the guitar track is made up of four tracks. On the first two tracks I played identical part and panned one track all the way left and the other all the way right. I then played a melody track that is an octave up and sits in the middle. Lastly I added some light harmonics on the B part.

I also added a snare drum and a bass drum to the mix in one version. Unfortunately I do not really have any decent drums to play on and, oh yeah, I really suck at drumming. For the snare I used an old Eames Drum that my Grandfather gave to me when I was a child. All the snares were off it and I had to jury-rig them back on just to do the recording. It needs a lot of work. The bass drum is a real quality instrument. I found it at the local dump. It is a Magnum ProSound and is part of a children’s drum set. It has that great ringing quality that shouts out, ‘hey, I’m cheap, I’m plastic, but I’m guaranteed to drive your parents nuts!’. My wife was thrilled with this find.

prosound
 
Together the two sound like I’m beating a bag of wet bananas. Good enough for me. It gave me an idea of what a drum track might sound like. I will have to solicit the help of Captain Dan, Biscuits McGillicudy or some of my other drummer friends if I really want to make the drumming work.

Below is the version without the drums. I would love to hear what people think about adding drums. Should they be included on the track or should I nix ’em?

friend music

Einstein Lives and He Plays the Bouzouki

Einstein George
 
I know, your thinking, ‘Ghezzz, I had no idea Einstein played the bouzouki’. Well, neither did I. But surer than shaving cream he sits in on our session every Tuesday evening at John Stone’s. He, of course, goes by the alias George and will not show me the time warping vehicle he used to propel himself into the present, but I can assure you, here he is. You can see for yourself on his MySpace page where he is seen playing the guitar and includes a few great tunes he wrote.

Einstein … err…George, or as I like to call him, Mustachio, wrote this beautifully mellow tune called Anna’s Dream, which he has graciously allowed me to include on my site.

You can hear more of Mustachio’s playing on a real nice album called The Artery Project. He is the one standing in the middle but since the picture is so small you’ll have to trust me on this one.
 
Artery Project

Someday, if we are lucky, we may hear Einstein in a Plùc recording (we convinced him to join the band). Until then, come on down to Stone’s for a pint and a glimpse of the genius himself.