video

Blackthorn Shillelagh

Just saw this video posted on facebook by my old friend Damon Leibert, who is playing a tune I wrote back in ’98 called Blackthorn Shillelagh. Damon was the fiddle player for my band called Amadán. In fact you can hear Damon’s work on a track called Moving Cloud/Devany’s Goat/Julia Delaney from our one album. Damon is currently playing in several bands. One band, Inchicore, will be playing soon at a brand new venue in Boston called Four Green Fields.
 

live music

The German Clockwinder

Back in the summer of 1990 I jumped on a plane to Switzerland with my good friend Roger. Our first stop was the Lugano Fife & Drum Muster in the beautiful Italian part of Switzerland. After a brief stay in Lugano, which involved meeting my good friend Massimo for the first time and escapades at a youth hostile, Roger an I boarded an overnight train to Basel. The train was full, and Roger’s drum case was too wide to fit into the train car. So, his drum spent the night between cars and we spent the night trying to sleep in the aisle way. Being young and naive, and hearing horror stories of how the train cars often split during the night, leading the unsuspecting traveler to Liechtenstein instead of Basel, we felt fortunate to arrive in Basel in good shape, good spirits, and with all our instruments.

We then made our way to the airport, where we were to meet up with the Ancient Mariners, who were arriving for their visit with the Swiss Mariners. We walked in to find the Swiss Mariners, who we had never met, all standing in the waiting area, looking through a glass wall, where they were expecting to see the Ancient Mariners arrive at any moment. We walked up behind them and said hello, which entirely confused them since there was only one way through that glass wall…and we didn’t come through it. Apparently nobody told them we were coming early by train.

After a brief explanation, a good laugh was had by all. The Ancient Mariners showed up ten or fifteen minutes later, we all had the first of many beers and a week of celebrating had commenced.

Later that week, we performed for a couple thousand people at the Augst Roman Theater. The memories of that concert, until now, had been slowly fading, being replaced by more recent escapades in Switzerland. Today, however, I saw a video that was posted from that concert and the memories came rushing back.

This is a video of the Ancient Mariner Chantey Men singing a goofy, crowd-pleasing song called the German Clockwinder. What the Chantey Men didn’t know was that the rest of the Swiss Mariners and Ancient Mariners had spontaneously lined up behind them and started bopping up and down, and singing along…if you can call ‘boop, boop’ singing. And, in the end, for reasons I never understood, we all decided to fall down. Goofy, corny, odd, but the crowd loved it. I guess sometimes people just want to see the entertainers make clowns of themselves. And we did. But, more importantly for me, it was the first real moment that I understood what a special group of friends I had, both here and abroad.

Incidentally, Roger and I are the baby faced ones hanging out somewhere over in the left side of the line.
 

new music

Star Spangled Banner


 
A few months back I was asked if I could put together a recording of our national anthem to be used in a theater production. Cool, I can do that. But then came the challenge. They wanted it to be loose…and dark. Hmmm, how do you make the Star Spangled Banner, which is really a tune called To Anacreon in Heaven, dark? And, if it is to be loose, maybe I should imbibe a few frosty ones before laying tracks? After all, To Anacreon in Heaven is often referred to as a drinking song. Anywho, I let this go until the last minute, and was forced to improvise during the recording. But, in the end, it is loose (that part wasn’t hard) and I guess it is a little dark. You be the judge.
 
Star Spangled Banner by baconworks

announce

Boston Celtic Music Festival


 
My band, Stoneybatter Band, is excited to be playing at the Boston Celtic Music Festival next Saturday, January 8th.


 
We will be taking the stage at Club Passim in Cambridge at 2:30 and will play until 3:25. Tickets are $15 for the day, which includes several performances before us, a session, and a performance after us. In addition there are three other stages, performances Friday evening and performances Saturday evening by many talented groups. For more information on performers and tickets please visit the BCMFest website
 
We really hope to see you there!

song

Farewell to Fiunary


 
Every once in a while a song comes along that you just fall in love with. Farewell to Fiunary is one of those songs that I had actually heard a bunch of times, but never took notice of. Then, suddenly, that changed. I don’t know why, but suddenly I was attracted to it.

Fiunary is in Scottland. The little I know about this song is that it was written by Norman MacLeod who lived between 1783 and 1862.

My version here is really just a demo, recorded very late last night. Really, just trying to figure out vocal phrasing as it fits into the guitar. As simple as the song sounds, some of the phrasing can be a bit tricky. And there are moments where my hands want to do something that my voice doesn’t know how to follow. Nonetheless, I find even this rough version to be enjoyable.

Farewell to Fiunary by baconworks

video

Thanksgiving Song 2010

A couple years ago my boys and I made a video of a Thanksgiving Song.

 
Now they are a bit older, sound less like gerbils when they sing and are back with this new, edgier Thanksgiving Day video. Enjoy, and Happy Thanksgiving.
 

songs i like

All Aboard the Spray

The Spray

I’ve been listening to a lot of sea chanties lately as research for a couple of projects I’ve been working on. One chantey, called The Spray, has caught my attention. The Spray is a fairly recent song that is about a man named Joshua Slocum. Mr. Slocum was the first man to circumnavigate the globe solo. His boat, The Spray, was an old rotting oyster boat that he restored. The trip, starting in 1895, took 3 years to complete.

The recording here is a demo of some iPhone software, more than anything else. I recorded this in my bedroom, directly to the iPhone using an app called FiRe (http://www.audiofile-engineering.com/fire/), and then uploaded the tune to SoundCloud, which is then pulled into my blog. Lastly, I posted this article through the iPhone as well using the wordpress app.

Why would I go through so much trouble just to post? Mostly just to find out if it is possible to do everything through the iPhone. But, also, I can imagine using this process in a live music setting.

Anyhow, here is the first verse from The Spray.
The Spray by baconworks

tunes i like

Banks of the Bann…again


 
Looking over the posts from the past year, it seems as if I’ve been fairly inactive. From a blogging perspective, that is definitely true. On the musical end, however, it has been quite an active year. So, I’m gonna try to get back into the blogging swing of things.

One activity that has taken place in the last few months is the organizational beginnings of a studio recording with Mustachio and Liz. As real proof, I’ve included a recording we did in my dinning room a couple months back. This is a tune that I posted a while ago on fife. This time we are trying it on guitar, bouzouki and fiddle.

You’ll quickly notice the loose nature of the recording. We recorded our whole practice and this was the first time we ever played it together. In fact, I don’t think Liz had ever heard it. So, lots of experimentation more than anything else. Sometimes these are my favorite tracks.
10 – Banks of the Bann by baconworks

live music

Liz Alexander

fiddle
 
Saturday night we had a great party at the Bacon house. Lots of friends, both the musical variety as well as the neighbor variety, stopped by for some food, drink and music. I set up a few mics and hoped for the best. Sometimes the best actually happens. We played lots of great stuff all evening for a lively crowd. But the best, as is often the case, happened after most of our fiends left. That’s when musicians are most relaxed, most oiled, and most able to hear and focus on what each other is doing. They are no longer playing for an audience but, instead, each other. That’s when magic starts happening.

So, here we are, past midnight, sitting in my kitchen, I convince Liz, who is ‘draggin’ and opening her fiddle case, to play just one more. Slowly, tunes we had never heard start coming from her fiddle, and we latch on for a four minute ride of some of the most beautiful fiddle playing you’re ever likely to hear.

Liz Alexander, remember her name. This is the first time she has been caught on tape. It most certainly won’t be the last.

 
Liz Set by baconworks