mariners

We Are the Mariners

I had every intention of blogging while in Switzerland. Our ‘active schedule’, however, consumed any time I might have had for such an activity. Now that I am home, and reeling from the experience, I will begin plowing through my pictures, recordings and memories in an attempt try to convey, in some simple manner, the enormity of what happened during our ten days in Switzerland.
 
The Mariners

 
To be honest, I don’t really know where to begin. My feeling is that it would be easier to explain what the Alps are like to someone who has never before seen a mountain than to tell you our tale. Also, I am really not sure how much I want to tell you. No, I’ve got nothing to hide. Instead, I’ve so much to keep, and I fear that watering it down for you will dilute its richness in my own mind.

Part of the challenge, is that the seeds for this trip were sown not only in the weeks and months preceding it, but the decades. There is a very rich history between the Ancient Mariners of the United States and the Swiss Mariners that dates back to the early seventies. That history has been building and evolving, much the same way a healthy marriage unfolds. We learn from each other, we grow with each other, we argue with each other, we laugh with each other, we sing and play with each other, we cry with each other and we love each other. Consequently, our reunion culminated in a synergy that is really beyond my ability to verbally describe. Every story is enriched, in our minds and hearts, by the history and the duality that hangs on everything we do. We are not only travelers hoping to see some foreign attractions, we often are the attraction. We are not only old friends, we are also new friends. We are not only guests, we are at home. We are not only the Ancient or Swiss Mariners but, simply put, We are the Mariners.

The pictures and sound that I can offer you don’t really do any of it justice. But until you are on the mountain with me, they are all you can have.

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I Scream for Ice Cream

Switzerland
 
My buddy Joe and I have had a handful of lunchtime practices to prepare for our upcoming trip. On the last day of our last practice, during our last run-through of Drummelhund before our trip to Switzerland the building manager of The MathWorks drove up and asked if we were from The MathWorks. ‘Yes’, I replied. ‘Well’, he said, ‘someone filed a complaint about the noise.’ Here is the amusing part. They thought we were an ice cream truck…playing the same tune over and over and over. Well, it certainly is not the first time someone has asked me to stop playing, but this might be the most unique complaint so far. See you in Switzerland!

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Moving Cloud / Star of Munster / The Scholar

cloud

This is a set of tunes that my buddy Joe, a great flute player, wants to play in Switzerland. The tunes in the set are all fairly common and can be heard at most sessions. Nonetheless, they all rock. This is definitely a reference track as you will hear some flubbed notes here and there. Recording this gave me an opportunity, however, to figure out how I might like to back Joe.

Versions of these tunes can be found on thesession.org
Moving Cloud
Star of Munster
The Scholar

After taking a glance at the music it appears I don’t play them at all like they are written. Oh well, that’s folk music for ya.

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The Mariners have been YouTubed

Just found this clip of The Mariners on YouTube. The footage came from the parade at the Deep River Ancient Muster in Connecticut a couple of weekends ago. The guy laying on the ground in the opening seconds of the clip is the mutinous shackled prisoner that gets dragged around, beat up and shot. It is a crazy bit of street theatrics that always wakes the audience up, especially when he makes his way into the crowd. Incidentally, I’m the short fifer on the leftish side of the line.
 


 
I’m hoping to have some YouTube footage from our upcoming Swiss show. I just need to figure out how to operate the video camera and play fife at the same time.

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Pic from the Past

I stumbled upon this old picture today:
 
Roger and Greg

 
That is me on the right and my buddy Roger on the left. We were new to the Mariners and enjoying an ale just moments before a performance at the Roman amphitheater in Augst, Switzerland, which I will be returning to next week. It was the first time I had ever played in front of an audience that really cared and I can’t tell you how hard it was to play a fife while my knees were shaking.

The picture was taken seventeen years ago. Ugh!

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Drummelhund in Switzerland

Back in 1992 I wrote a tune that I called Drummelhund. Drummelhund is a Swiss German word that derives from ‘trommel hund’, which literally translates to ‘drum hound’.
 
drummelhund
 
I first heard the word as a nickname that was given by our Swiss friends to an energetic American drummer named Todd Kennedy.

In preparation for our upcoming Swiss trip, I thought I would dust off the tune and give it some new life as a fife duet. I started writing variations that included hornpipes, jigs, Major, minor, inverted melodies, fermatas, Swiss staccato and culminating with the original reel, plus or minus a few notes. After a whole bunch of half-baked ideas and re-writes … Shabam! A medley.

My buddy, Joe Mawn, and I have stolen a couple of lunch hours in the hopes that it will all come together for our Swiss concert in August. So far things seem to be progressing nicely. I’ve even had a co-worker tell me that during his lunchtime jog around the neighborhood he was able to step in time as he heard us in the distance.

I hope to have a recorded version that I can post at some point. In addition, I plan on eventually posting the sheet music. Until then, here is the hokey computer generated rendition to give you an idea of what it is going to sound like. Unfortunately you don’t get to hear the fermata or the Swiss staccato or all the lovely ornamentation that ultimately grows onto a piece. You’ll just have to come to Switzerland to hear those details.

friend music

Sally McKnight: Call and Answer

Clam DiggerAs a child I spent many a summer day on the coast of Maine. More than a few of those youthful days were spent on the clam flats. While my father, who was perpetually hunched over pealing back the salty mud with a hoe, methodically filled a pair of hods with his finds, I scurried around the flats trying to find trouble. To an outsider the flats don’t look like much; Miles of nondescript mud, an occasional outcropping of seaweed covered rock and horse flies large enough to serve up with a badminton racquet. But, to a boy, it is a wonderland. Hand me one of them little red plastic buckets and a yellow shovel and I was off to the races.

If I was clever, I might catch some tiny fish schooling in the warm tidal pools. If I was lucky, I might find a horseshoe crab waiting for the sea to return. If I was creative I might collect the most beautiful shells you’d ever see come out of Sagadahoc Bay. And, if I was brave, I would make my way over to the seaweed covered rocks and confront some real danger.

crab It is well known that underneath the slippery green growth there are critters that are both feared and fetching to little boys. Dare to stick your fleshy little fingers into the thick tentacle like marine algae, lift it back and prepare to react, for you may reveal the pièce de résistance. Behold the Liocarcinus Vernalis, otherwise know as a vernal crab. Fierce little monsters equipped with their own amour and built-in weapons. I might as well have found gold.

I’ve learned through the years that the crab hunting gene is passed from generation to generation. My father hunted them as a boy and my five year old is already bolstering his courage in preparation for this summers journey to the flats.

Why am I telling this story? Well, one, because it holds fond memories for me. But that is not actually reason I wanted to share it. It struck me that finding good music is sometimes like traipsing through the mud, over to a promising pile of seaweed covered rocks and pealing back the layers to see what you can find. Most of the time you find more rocks and mud. But occasionally you find something that strikes you as magical like a crab or maybe something really special like a starfish.

starfishThis brings me to my actual point. A while back I wrote about a Hammered Dulcimer player that sang a beautiful song called The Call and the Answer. Her name is Sally McKnight. The moment I heard her sing I thought, ‘wow, people need to hear this’. Fortunately for all of us she agreed to do some recording and the other evening, as I was leaving the recording session at her home, it occurred to me that I’ve just peeled back some covering and found something really special.

No, Sally is not a crab in a pile of seaweed. Maybe it is not the best analogy. I am certain, however, that after listening to the way she harmonizes the dulcimer with her singing, hearing the crispness of her playing, and basking in the warmth in her voice you will agree that she is a star, and, I for one, am thrilled to show you what I’ve uncovered.

 

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Capo Magic

I just came across this nice set of tunes on YouTube. As a fretted instrument musician I have always struggled with removing the capo in the middle of a set of tunes as a result of an unexpected key change. This kid has a novel technique for dealing with the problem. Watch what he does with the capo about halfway through the video.
 

I would love to know what kind of capo he was using.

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Some Pictures

Two pictures were sent along to me that I wanted to share. The first, taken by Karen Royce, is from last Friday’s show with Skip Healy. Skip is on the left, Roger in the middle and I on the right looking very relaxed. Check out all the old drums behind us. They were rattling all night long.
 

Skip and Friends

The second is an aerial shot of the amphitheater that I will be performing in later this summer with the Ancient Mariners.

 
Augusta Raurica

From the photo it appears that there is no fence or gate or anything preventing the local yokels from wandering down to the Roman playground and knockn’ back a few Warteck’s. Only in Europe.

friend music

Skip and Friends

I had a great time playing tunes with Skip Healy this weekend at a benefit concert for the Juniors Fife and Drum Camp. I was hoping to get a good recording hot off the soundboard, but for a variety of reasons was not able to set it up. Instead I had to settle with recording with a single room mic. This is far from a perfect recording but I think it captures the energy. I had to fade the track out because there was some serious feedback in the later part of the track.

The whole gig was lots of fun and well received. I had never performed with Skip before and, therefore, had no idea where any of it was going, which of course, adds to the excitement. In addition, Skip’s style is to play the tune reasonably straight the first time through, but then begin to use the tune as a skeletal structure and move around it. Sometimes it can get way out there, which is really cool. This track stays relatively close to home but you will here some of the improvisational nature toward the end of the track.

In addition to Skip on flute, Mark Bachand on bodhran and myself on guitar, we invited Roger Hunnewell up to play some additional bodhran. Roger starts the track with a bodhran solo, unsure of where Skip will come in. You will hear rattling behind some of the first beats that Roger plays. The rattling is from the twenty, or so, rope tension snare drums sitting behind us on the stage. They were sympathetically playing along. Also, every so often you’ll here Skip pause for a note and call out a key change. Nothing like having a plan.