new music

Moving Cloud / Devany’s Goat / Julia Delaney

Today I received an email from someone I have not heard from in ~20 years … apparently Facebook really does have a way of connecting you to your past. Anyhow, this old friend ultimately stumbled upon baconworks and asked me about more music that her children might be able to step dance along with. So, I began poking around my site, realizing how difficult it actually is to find all the mp3’s I’ve posted (I’ll have to fix that), and discovered that I have yet to post a few of the tracks from my old Amadán album. I guess I’m just getting lazy.
 
Amadán
 
This set of tunes was the first that we recorded as a group. As I recall, we were real excited to get into the studio and lay down some tracks. We were well prepared, had it all planned out…except for the part where Kevin, our guitar player, broke a string while tunning up. In his guitar case he found no spares. I offered my guitar, not the prized Lowden, but instead the infamous Rhapsoby . No, that is not a misspelling. Rhapsoby, not Rhapsody. The guitar is so obscure that even a Google search turns up almost nothing. And when I say ‘obscure’ I don’t mean the good kind, like a 1909-S VDB penny.

Needless to say, Kevin wanted no part of the Rhapsoby. So, there we were, wasting precious time and money in the studio, with no guitar. We had no other choice but for Kevin to leave the studio to try and track down some strings. Scrap all the practices and all the preparing, we had to come up with a new plan, which, of course, we did only after Kevin left on his hunt for new strings. In his absence Roger the percussionist, Damon the fiddler and I on the Rhapsoby, pulled this old set out of the bottom of our repertoire. We recorded it once or twice together and had the track nearly finished, to Kevin’s dismay, by the time he returned an hour later with his new strings.

The set starts with a little Rhapsoby intro, followed with some tempo challenged foot stomping. Incidentally, the foot stomping seems as bad of an idea today as it did then, but neither I nor the engineer could convince Damon to can his cacophonous idea. In addition, my good friend Roger plays some real nice Bodhrán and Bones throughout the set. And, just so Kevin didn’t feel entirely left out, we let him overdub some tenor banjo.

Incidentally, I enjoyed Devany’s Goat so much that years later I did my own recording of the tune, this time setting aside the Rhapsoby and opting for the Lowden.

So, I don’t know if this is step-dancable but, here is Moving Cloud, Devany’s Goat and Julia Delaney.

Moving Cloud / Devany’s Goat / Julia Delaney by baconworks

song

Sam’s Gone Away

Strum Stick

 
A couple of months ago a friend of mine loaned me a strumstick. The strumstick, a three stringed instrument that is a close musical relatives of the Appalachian Dulcimer, was created by Bob McNally. As I was testing out the strumstick one morning at the breakfast table I started singing, to my children’s delight, a simple chantey called Sam’s Gone Away that I had recently learned off a great old album called Colonial and Revolutionary War Sea Songs and Shanties by my friend Cliff Haslam.
 
Album Cover
 
I had so much fun beatn’ away at this song on this odd little instrument that I decided to give both the song and the strumstick a go on tape. The first instrument on the recording is actually guitar. The strumstick comes in on the break and hangs around for the rest of the song. Incidentally, this is the first time I’ve recorded vocals and, apparently, I’ve still got some learning to do. But hell, this is all just for fun. So here ya go.

video

Happy St. Pat’s Lark

Ok, someone…not really sure who…sent me the following video. It stars both yours truly along with some of the other musicians from the John Stone’s session. I’ll let you figure out which one I am. Incidentally, the tune that we are vigorously stepping to is called Lark in the Morning. I guess I always assumed that Lark referred to a bird. In this case, however, it appears that this video is a different kind of ‘Lark in the Morning’. Happy St. Patrick’s Day to all.
 
Lark in the Morning

announce

Pre St. Pat’s Concert

Saint Patrick’s day is coming up and here is your chance to hear some great traditional Irish music without getting pints of beer spilled on you. I, along with many musicians from the John Stone’s session in Ashland, MA, will be performing a free concert next Monday, March 10th at Framingham State College during the afternoon.
 
Gaelic Traditions Concert
 
The concert starts sharply at 1:30 pm and will end at 2:15 pm.

I am really excited about this as there will be some excellent musicians on a variety of instruments including the hammered dulcimer, Irish flute, fiddle, bouzouki, tenor banjo, accordion, bohdran and guitar. As a group the session players of John Stone’s have been informally playing music for a couple of years. While we are not technically a band, we have all found great pleasure in the quality music that we’ve played with each other. This is a real opportunity for us to share a bit of the fun and positive energy that we seek each Tuesday evening at Stone’s.

So, take a late lunch and come on over to the Heineman Ecumenical and Cultural Center at Framingham State College for a few tunes. Below is a map with the Ecumenical center circled?
 
map

 
If anyone is interested, please contact me as I may be able to provide you guest parking passes.

author profile

Author Profile: Josiah Raiche

Composer: Josiah Raiche
Music: The St. Albans Raid
 
Josiah Raiche
 

Josiah wrote that he “frequently arranges piano tunes for fife as well as harmonies for existing fife tunes, but have never before written an entire piece “from scratch.” This was a great challenge, and I hope that you will continue doing this contest.” Here is a bit more about Josiah:

Josiah Raiche is a teenage snare drummer in Hanaford’s Volunteers Fife and Drum Corps in northern VT. He plays multiple instruments, including Piano and Fife, and is involved in several musical groups. He is also a semiprofessional website and e-commerce page designer. Although he is usually quite busy homeschooling, he is also a prolific composer and has put together many fife harmonies and written two drum solos.

Check out Josiah’s drumming performance at the 2007 Maple Festival.

author profile

Author Profile: Jim Williams

Composer: Jim Williams
Music: The Battle of Flamborough Bay, Miss Potter’s Jigg
Instrument: Fife

Jim’s tune, Miss Potter’s Jigg, was the second runner-up in the Baconworks Tune-smithing Contest. Here is a bit more about him:
 
Jim Williams
 
About me: I’ve been fifing for ten years, beginning in St John Junior Ancients, and 5th Alabama Field Music. Somehow, I got into composing music, and published my first music book for the fife in 2003, called Fifes on the Green. I’m now involved with Connecticut Valley Field Music, and the Grand Republic Fife and Drum corps. In my spare time, I do web design, Civil War reenacting, where I portray a tailor, and a lot more music.

Website: http://fifers.us

author profile

Author Profile: Chris Szpara

Ok, I’ve had a busy week or two and have neglected my blogging duties. I still have a few contributors to the Baconworks Tune-smithing Contest that I would like to highlight.

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Composer: Chris Szpara
Music: Kenilworth Castle, Devitt’s Reel

My name is Christopher Szpara, and I play the fife.

Hmm lets see…

I am a graduate of the Hartt School of Music, with a degree in flute performance. In my spare time I enjoy traveling, composing and of course, fife and drum. I have marched with quite a few corps, including The Warehouse Point Jr. Fife and Drum Corps, The Warehouse Point Seniors, and Connecticut Valley field music. I am in my fifth year of playing with Ameri-Clique and quite recently I joined the Madison Street Project. Kenilworth Castle was written in 2003, and was named after the summer home of Mr. E.C. Taft, a wealthy paper mill owner from Holyoke MA. The castle stood for nearly 63 years gaining much fame and popularity in the city, when in 1959 it met its’ unfortunate demise.

Chris also tells me that he can be found on facebook.

Chris Szpara
announce

Stinson Davis in the News

I just received an email from Andy Revkin, who is an author for the New York Times blog, and apparently a fellow musician, regarding my great uncle Stinson Davis, whom I wrote about a while back. Mr. Revkin posted an interesting article today about a new line of freighters that are using sail to cut down on fuel consumption.
 
sail
 

In his article, he makes mention of my uncle and that he was the ‘last living captain of a ship powered entirely by sail.’

In 1982 Mr. Revkin wrote an article for Offshore Magazine on my uncle most likely talking about the olden days of sail. I’m hoping he might post that article online somewhere soon. Who would have thought, back in 1982, that there might be a new generation of ships under sail? Apparently my uncle, given our ‘keen to be green’ sensibilities, was ahead of his time.